Bakehouse Art Complex
October 11, 2019–March 31, 2020.
Guerrier’s exhibition, Between the legible and the opaque: Approaches to an ideal in place proposes works of various media that incorporate abstraction as both a formal and conceptual framework to render perceptions of place. The use of abstraction facilitates readings of the process inherent in their making. This process involves elements that reference diverse notions of place – its color, materiality, use of language, and instantaneity as landscape. The summation of these notions, a conversation between the work as a whole and its constituent parts, contributes to varying degrees of legibility and evocativeness.
The participating artists are Liene Bosquê, Jenny Brillhart, Jude Broughan, Alain Castoriano, Robert Chambers, Irina Dakhnovskaia-Lawton, Lucia Del Sanchez, Genderfail, Ivan Grilo, Xavier Luján, Marron et Masqué, Juan Matos, Nicole Maynard-Sahar, Tana Oshima, Alice Quaresma, Marielle Plaisir, Carrie Sieh, Gerbi Tsesarskaia, and Cristina Victor.